SI-Blog-LA: The Illustrators' Blog.

7/11/2008

Illustration West 47 Call For Entries

CFE 47 by Tatiana EL-Khouri
By Tatiana EL-Khouri

The Society of Illustrators Los Angeles has taken the Call for Entries process into the technology age! Visit www.entersila.com to enter the competition without leaving your computer.


Judges

Joe Cepeda- Illustrator
Denys Cowan- Artist, VP Bet Animation
Michael Davis- Artist, Media Mogul
Isabelle Dervaux- Illustrator
Penelope Dullaghan- Illustrator, IllustrationFriday.com
Mike Gold- Editor, ComicMix.com
Bob Kato- Illustrator, Instructor- The Drawing Club
Simone Legno- Artist/Designer, Tokidoki
Tomasz Opasinski- Digital Artist, Art Director- Crew Creative Advertising
Edel Rodriquez- Illustrator, Art Director
Heidi Volpe- Art Director- Los Angeles Times
Nate Williams- Illustrator, IllustrationMundo.com
Marv Wolfman- Comic Book Writer- Creator of Blade


Exhibition
The show will be held at Gallery Nucleus from March 20-April 3, 2009, with an opening reception on Sat. March 21, 2009.

posted by Tatiana, 1st VP/ Show and Web Chair
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7/10/2008

Bob Dob’s “Lonely Day” Print for Charity

Lonely Day Print

Former SILA President , Bob Dob, has teamed up with Thumbtack Press this year to donate over $3500 with your help. His painting “Lonely Day” is now now available through Thumbtack Press and we will donate all proceeds of this print run to St. Jude… Every single penny.

Each print is signed and numbered and of very high quality. Please click on the link below for more information. This is a very worthy cause as I’m a cancer survivor myself and St Jude is a great research organization. -Bob Dob

http://www.thumbtackpress.com/browse/product_info.php?cPath=23_134&products_id=1172

posted by Tatiana, 1st VP/ Show and Web Chair
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7/9/2008

Tony Luna’s Workshops for Creative Professionals

Tony Luna, who gave SILA members an inspirational talk on career reinvention this spring, has a series of short workshops this summer. All three workshops are directed at assisting mid-career creative professionals take their careers to the next level.

"Rediscovering Your Passion"

Friday, July 18 (from 6:30-9:00 pm), and Saturday, July 19 (from 9:30 am-5:00 pm)

This workshop will help you take a critical look at the things that inspire you, as well as the things that hold you back from expressing your creative passion, and how to find your new voice. Please bring one item of your artwork that you truly enjoyed creating.

"Revitalizing Your Portfolio"

Friday, July 25 (from 6:30-9:00 pm), and Saturday, July 26 (from 9:30 am-5:00 pm)

During this workshop you will focus on how to effectively communicate your artistic point of view, and how to organize your work to attract the clientele that will allow you to advance your career. Please bring your existing portfolio and/or examples of your personal work.

"Self-Promotion and Marketing for the Creative Entrepreneur"

All day Friday, August 1 (from 9:00 am to 6:00 pm)

This intensive seminar will examine the tried and true methods of self-promotion, as well as new ways to reach the audience that needs the work you love to create.

All three workshops will be presented at the beautiful Woodbury University campus in Burbank www.woodbury.edu where you will have an opportunity to meet with other mid-career creative professionals who are motivated and eager to share their work.

The price for each workshop is $150.00.

For more information please contact Tony directly at tony@tonylunacreative.com , and also click on http://tonylunacreative.com/support_classes.php .

posted by Shiho Nakaza
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6/27/2008

ICON5 July 2nd- Drawing strength – a symposium on the benefits of illustration organizations

Drawing strength – a symposium on the benefits of illustration organizations
Wednesday, July 2 | 2:00pm to 4:00pm | The Roosevelt Hotel, State Suite | New York City, NY

In an industry increasingly under pressure, how does membership of an illustration organization benefit illustrators and the health of illustration as a whole? Is there strength in numbers, and what’s going on in Europe?

European and American association representatives come together to discuss these questions and others in a symposium covering campaigning, ethical matters, fees, promotion and the European Illustrators Forum.

All attendees are welcome to come along and join in, whether members of an illustration organization or not.

Speakers

Rod Hunt – Deputy Chairman Association of Illustrators (UK)
Anders Suneson - Foreningen Svenska Technare (Sweden)
Terry Brown – Society of Illustrators - Director Emeritus (USA)

Key points for discussion.

Membership:
What membership of illustration organizations can do for illustrators. How can Illustrators support the organizations? Why illustrators should illustrators join organizations?

Education:
How organizations can provide essential education, training & business skills to enable illustrators to lead successful careers.

Ethical considerations and Campaigning:
Strength in numbers gives organizations a strong voice to fight rights grabs, & tackle clients with bad contracts & working practices. How we can educate & persuade illustrators to assert their rights & stand up for themselves.

Pricing:
Knowledge is power, especially in fee negotiation. How organizations can offer advice on pricing commissions. How that advice is collated. Does it work, and can it help to stop fee erosion?

Networking:
How being part of a wider group can enable members to meet other illustrators & important commissioners, & thought international networking by organizations, bringing new opportunities.

European Illustrators Forum (EIF).
The development of the European Illustrators Forum as a wider network of European organizations to safeguard illustrators’ rights, and the continental promotion of illustration, through the coordinated action of member associations on a local level and with a series of common initiatives on an international level.

Promotion of Illustration: Organizations are ideally placed to promote illustration, though annuals, competitions, portfolio sites & membership publications such as the AOI’s Varoom magazine. www.varoom-mag.com

posted by Tatiana, 1st VP/ Show and Web Chair
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6/18/2008

Art Center Alumni Illustration Show!

Mark Todd_monstro
Art Center alumni Illustration show to benefit Illustration student scholarships at Art Center College of Design

FLAUNT: alumni show to support student scholarships at Art Center. Featuring new drawings, paintings and sculpture by: Austin McCormick, Martha Rich, Mark Todd, Sharlina Lin, Lynn Baik, Andy Holder, Aaron Smith, Freida Gossett, Kyoko Kawasaki, Tasha Kusama, Nolina Burge, Jason Holley, Sean Cassidy, Eric Sandberg and more.

Our annual exhibition of the best emerging artists along side established favorites. The lineup of artists for the third annual Flaunt exhibition is our most impressive to date and this will be an opportunity for the public to see the various ways in which the current and next generation is reinventing the term illustration… It is going to be a good one, hope to see you there! Show runs, June 21 - July 31 2008

Visit the Junc Gallery website for more information and then have a look at their Myspace page. The gallery is located at 4017 Sunset Blvd., Los Angeles, CA. 213-814-2640

Stop by and say ‘Hi” to Mike. I plan on stopping by and look forward to seeing YOU there!

posted by Scott Gandell
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5/21/2008

Orphan Works Bill: Call to Action

FROM THE ILLUSTRATORS’ PARTNERSHIP

Call to Action
Last Thursday the Senate Judiciary Committee endorsed their Orphan Works Act.
It is now headed for the full Senate.

If you’ve written before, now’s the time to write again.
Urge your senator to oppose this bill.

Because it has been negotiated behind closed doors, introduced on short notice and fast-tracked for imminent passage without open hearings, ask that this bill not be passed until it can be exposed to an open, informed and transparent public debate.

We’ve drafted a special letter for this purpose.
You can deep link to it here:

Contact your Senator in opposition to S.2913 NOW
The House Judiciary Committee is considering H.R. 5889, the companion bill now. Please write them again:

Contact your Congressman in opposition to H.R. 5889 NOW
2 minutes is all it takes to write your senator and representatives and fight for your copyrights. Over 68,000 e-mail messages have been sent so far.

Don’t Let Congress Orphan Your Work

Please forward this message to every artist you know.

posted by Tatiana, 1st VP/ Show and Web Chair
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5/15/2008

SILA Event: Taking Your Career to the Next Level

Tony Luna CreativeIn conjunction with Tony Luna (www.tonylunacreative.com), SILA is proud to present a talk on career reinvention. This promises to be a very useful talk!

Are you tired of executing the same work for the same clients and feel it is time to make the move to a new caliber of clientele? Are you held back by the risks you might face? Do you feel that your work is getting in the way of your creativity? Do you feel like the rest of the world is passing you by and you don’t know where to turn?

Well once again SILA has come to the rescue with a lecture by Tony Luna titled, ‘Taking Your Career to the Next Level.’ Creative Consultant Tony Luna has helped over a thousand individuals and hundreds of businesses either get started or reinvigorate themselves and reach new heights. In an hour and a half presentation you will explore the common issues that hold creative entrepreneurs back from making the next move, and you will see how others in similar situations have turned their businesses around while digging deeper into their creativity. By understanding Tony Luna’s five steps of ‘Transition Analysis’ you will learn what you will need to take stock of your creative assets, create a realistic plan for change, how to implement your plan, and how to validate your evolution so you can move on to the next level. There is no secret potion for success, but there are proven ways for you to get out of a rut and starting on your way to a more fulfilling career!

“Taking Your Career to the Next Level”

Wednesday May 28, 2008

7:30pm

Sherman Oaks Galleria - Community Room
15301 Ventura Blvd.
Sherman Oaks, CA 91403
Community Room is located on the first floor of the Rotunda directly across from the Bank of America ATM.

Please email Alyce at info@si-la.org to RSVP.

posted by Shiho Nakaza
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4/12/2008

Illustration on View - Power In Numbers Opening Reception Tonight at Gallery Nucleus

pin3_flyer_front_lowres-size300.jpg

Gallery Nucleus, where some of SILA members had their works exhibited, is hosting an opening reception with live DJ and free refreshments for Power In Numbers show tonight, Saturday 4/12 from 7pm-11pm. There will be 100 pieces on display sold for $100 each, with 20% of he profits donated to the Make A Wish Foundation. This show also marks an official homecoming party into their new, larger space at 210 East Main Street, Alhambra, CA 91801 - you can get more info at: http://gallerynucleus.com/gallery/exhibition/141.

posted by Shiho Nakaza
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4/2/2008

U.S. Airforce Illustration Program: Training Part 3

I took my position off to the side where Bob was stationed. He was snapping away even though his pictures were not part of the project. It was helpful though because he was always where Victor and were not. “Where’s Victor?” I asked. “I don’t know , he ran off to the other side. While the troops creeped and crawled along the mocked building I scoured the area for Victor. No sign. Suddenly smoke was popping all over the place and the troops were yelling “Soldier down!” I ran right into the middle of everything to get action shots. “I don’t think you can cut across….” Bob’s words trailed off as I took a choice position right next to two female soldiers. I snapped off a few. “Hmmm,” I thought to myself “That girl was rather pretty”. Just then “BOOOM!! “Fire in the hole!” An explosive had been set off right near me and I jumped, I thought to myself I’d better pay attention or I’m going to get hurt. Then I saw Victor. He was sitting off to the side sketching. Two troopers were gathered around him pointing. “Glory Hog!” I thought to myself. “I’m gonna check out his stuff, maybe I’ll sit and sketch so I can attract attention.”

When I reached Victor he was sketching furiously almost trancelike and his work was great. “Maybe I shouldn’t sketch, cause this guy is a killer sketch artist and I um…well I’m me, and my onsite sketching is not a strength. “. But I did it anyway. And it was kinda fun and it gave me a different kinda feel from taking pictures and some control over the image, especially since it was so hard to see the viewing screen on my camera in the sun.

So I sat and sketched and sketched and no one came over, which was actually better. I wasn’t inhibited so I could be freer with my drawing. Actually some of them were not that bad. After about a half hour the first maneuver was over. The troops fell back to the gravel loading area and regrouped. Bob, Victor and I compared notes , then we moved to where Army Sgt. Miller was addressing the troops. I was truly surprised at the positive criticism. And again it was about saving lives. As I looked over the group I realized they were not all young. Some were at least 40! These were National Guardsmen who volunteered to train and go over to Iraq. I was floored. I thought about my bad knees and shoulder and my allergies and blood pressure meds. Was there any world conditions that could ever exist that would make me sign up?… I was feeling great respect for anybody around my age who wanted to serve in Iraq or places like that. I was thinking about what would motivate me to do such a thing and I had no idea. Except….Nazis… that would do it.

Within a half hour the troops had regroup and I found a new position to take shots for different angles. Victor took positions nearby and Bob was floating around the side of the mock village. The attack commenced with smoke, guns firing and local Hispanic men and women dressed as Arab townspeople and insurgents. It was rather amusing at one point watching two men who looked middle eastern discussing their postioning in Spanish. I clicked off shots and moved into the village itself. While chaos surrounded me I heard a voice from a structure nearby yelling at me. “Dude!…did you get my picture? I look around then up to the second floor of a decrepit building. A Hispanic guy wearing a black cowl and a t-shirt leaned out the window dangling his AK 47. “C’mon take a picture.” I snapped a few. “Got it!” “Thanks, where can I get a copy?” I shrugged my shoulders now surrounded by green smoke. “I dunno…man, I figure out something.” Oh no committed. I was beginning to realize I’d have to make good on these commitments. This one’s for you my Terrorist brother. (see below)

I kept crisscrossing the village square grabbing any action set up I saw. At one point I saw a half dozen men lined up against a building and they starting waving. I waved back. The same group slowly moved farward into a building covering each other. Shooting yelling and smoke ensued. I wasn’t allowed to fo into the building so I couldn’t get a shot. But I got as close as I could. More yelling and smoke erupted from behind me and I whirled around to see two Mexican…I mean two terrorists had been captured. The smoke started to clear and moments later the 2nd maneuver was over. It had been like being in a virtual video game.

I jogged over to the car to get my sketch pad, actually it was Victor’s. He let me use it since the typing paper I took from Minkin’s office had run out. I stationed myself near the roadway where some troops had gathered. I started sketching. I wasn’t sketching them, just images out of my head. This is how it works for me, once it’s embedded in my head I can work from memory. I later took the sketch below back to my studio and refined it.ASSAULT TRAINING 3

A few troopers came over and started asking me about what I was doing. I let them know I was there to document their training. “Look at that Phillips…That looks like Estrada!” one of the trropers said. “Man I can’t draw a stick figure!” ‘Does it take long to learn?”

ESTRADA TRAINS TROOPSI thought for a moment. I can’t ever remember a time I didn’t draw. “I don’t know…I was born with a pencil in my hand.”

They laughed. “This guy here grew up with a chicken leg in his hand!” “fried Chicken…and I wish I had some right now. “ “Don’t I know it.” His buddy chimed in.
They moved off talking about how they’d draw guns.

The next and last maneuver went down just as the others had, I ran all over the place drawing instead of shooting and my sketching got better as I went along. Between the pictures and the sketches I was really able to go back to the studio and do some damage.
ASSAULT TRAINING 4
The day ended and we thanked the commanders profusely. My God we had hundreds of models to sketch all day for free…an artist’s paradise!

We packed up and headed back to the hotel for dinner in El Paso.

Diner at El Paso’s finest

We got back to the hotel (Airforce YMCA) and decided to go right out. I went up stairs to leave my gear in the room. Then curiosity got the best of me and I took a peak at my photos. I was pleasantlt surprised. There were really good shots that worked as sketching material and for paintings. “These are really good!” I thought. “I’m impressed with myself…or at the very least I was justifying SILA’s and the Airforce’s confidence in me. OOraH!! (My apologies to the Airforce if I’ve misspelled the word, but you get the idea)

I met up with Bob and Victor in the lobby. “How ‘bout Mexican?” Victor said. We all agreed . So once again we took our positions in the SUV. Victor, the artist driver, Bob our guide and me the artist\ passenger. Bob and Victor

WE got to the restaurant about 5:30 or 6 o’clock. We were all tired and sunburned. I hadn’t realized I could get so burned in 65 degree weather. I had one of those rednecks you get when you work outdoors. It looked good, masculine, rugged and lot better than MY BRIGHT RED NOSE WHICH PUT ME AT THE HEAD OF LINE TO LEAD SANTA’S SLEIGH!!

So we eat and swapped stories and learned about each other and found out how much we had in common. Perhaps if people would just sit down and swap stories over some Guacamole and Tacos the world would be a better place. By 7:30, we were wasted and ready to turn in. At least they were. I wanted to go back and do some work, watch some TV and get some juice from a convenience store to put in my little empty YMCA fridge.

And I did. At around 8 I walked a mile or so in my fatigues and T-shirt to the nearest convenience store in 35 degree weather on a full stomach. I was feeling very macho. By the time I reach the store it hit me. I was freezing and tired, really tired. I picked up Gatorade, chips and two bottles of apple juice…oh and 2 bananas. I was ready and I braved the cold back to my room. It had been a great day.

posted by Lon
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3/27/2008

SILA goes tech! Join our Social Networks

Society of Illustrators of Los Angeles has gone high tech and has presence on a variety of Social networking sites. Follow the links below to join our networks and groups.

Myspace

Myspace Group


Facebook Profile


Facebook Group


LinkedIn Group: Join Society of Illustrators of Los Angeles Group on LinkedIn

posted by Tatiana, 1st VP/ Show and Web Chair
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3/25/2008

Illustration West 46 Opening at Junc Sat, March 29th

iw46invite.jpg
Illustrations (left to right) by award winners: Donato Giancola, Colin Johnson and Chris Buzelli

Please join
The Society of Illustrators of Los Angeles
at the opening of the
ILLUSTRATION WEST 46
Gallery Show
Saturday March 29th
7:30 - 10:30 pm at

JUNC GALLERY
4017 Sunset Blvd., Los Angeles, CA
(Show runs through April 6)
www.si-la.org
800-799-6368
www.juncgallery.com
213-814-2640

posted by Tatiana, 1st VP/ Show and Web Chair
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3/23/2008

U.S. Airforce Illustration Program: Training Part 2

The troops started to show up in front of the buildings we were standing in front, they were marching to the training ground. We snapped a few shots of them truckin’ down then street into the rising sun. They were silhouetted against an orange sky with a water tower between them and the range. It was a beautiful site. It reminded me of when I used to go surfing before high school. I’d sit in my red VW parked on PCH waiting for the sun to rise over the hills in Malibu. As soon as it was light I’d grab my board and I was off. In this case I grabbed my camera and started snapping. Once they were out of range we headed back to the car.Sunrise at Fort Bliss
We piled into the Subaru and off we went to the Assault training. It was only a half mile away and we were psyched. As we ambled down the road I started to warm up and with that my enthusiasm built. This was a true “E” ticket ride and I was going to enjoy every second!

When we arrived at the site, no one was there save two instructors. It was cold and clear.
We spilled out of our car and started getting our gear ready. Body armor, camera, paper pencils, jacket and my Laker cap.

I jogged over to the assault area and took some background shots so I’d have the buildings and smashed car clean and uninterrupted by troops. By the time I finished I could see the troops march up the road towards the site. Click Click…I got a great shot of them against the morning sky.Troops marching
Soon they were gathering in the parking area on an enormous field of gravel. They put their gear down on the eastern edge of the field and gathered around the commanding officer. After a few minutes he addressed the young men and women with an inspiration speech and an instructive lecture about their mission. “You are here to save lives!” I kept hearing. “If you follow your instructors directions you will have a better chance of surviving and helping your fellow soldier survive!” This was a common refrain. At no time did I ever hear anything about killing the enemy. It was always about staying safe and surviving. And helping those in need whether they’re Americans or not. “How you perform out here is how you’ll perform in the field when you’re in country!” These words started to ring true to me. It doesn’t matter whether you’re a soldier in Iraq or an artist working in your studio. How you perform when you don’t have an assignment is how you’ll perform when you do have one. I realized I had instinctively been doing that. ‘Course I went to Art Center, the Marine Corp of art schools…at least that’s the way it was when I was there. If you didn’t perform you got the boot. This was before anyone with money could be an art student. (Sorry I just had to say it)Instructor

OK so the troops ready themselves for the first of three training sessions. It was 7:30 and we were ready. Victor and Bob hung out by the gravel’s edge. Victor pulled out a pad and pencil and started to draw. “I’m going to get in the middle of the field” I told Bob “I don’t think you can do… That’s all I heard. I jogged over to a service truck and parked myself next to it. The troops would be running straight at me. “Then I realized I had my Laker cap on and no helmet. I didn’t think they’d stop the training to let me get the helmet so I tucked myself under the truck. Suddenly two explosions went off. BOOM!! BOOM!! It was loud, then the instructors popped smoke, Green and yellow clouds surrounded the area and the troops descended onto the mock Iraqi village….firing on the suspected terrorists inside the rickety buildings. I started click off shots as soldiers run towards me. In an instant 4 or 5 of them took cover behind the truck flattening themselves against the fenders. I was pinned in but I kept shooting. It was thrilling. In the midst of all this a black soldier nearest to me spoke. “You’re one of the artist, right?” “I don’t think you’re supposed to talk to me” I whispered. “How do I look? “Did you get a good shot of me?” “What?” “Take a good shot of me, dog.” “I smiled. I probably will never see this guy again, why would he want me to snap a picture of him? “Sure,” I said. Click Click, “Thanks.” Then he moved off.Cooper trainsCooper I took his spot and fired off a couple more shots of him running off, then I climbed onto the loading dock of the truck for a new angle. Within moments two more soldiers moved into position below me, one soldier’s gun blocked my access to jumping down to the ground. Again I was pinned. POP POP POP, more smoke. I was surrounded by putrid smelling green smoke, This can’t be good for I thought. But I kept on taking pictures hoping I could get some dramatic action of soldiers running with guns through the billowing smoke. Meanwhile I was choking on the smoke and wondering if I was going to pass out and spoil the maneuver. You know,.. time out our artist fainted… we need to take him to the nurses office. I held my breath as long as I could and finally the smoke cleared. Thank God I avoided total embarrassment. I was still pinned in. I wanted to ask the soldier below me if the smoke was toxic but before I could he took off. I climbed down off the truck’s dock and headed for the sidelines where Bob and Victor had been. They had moved on. The troops were now in front of me in the middle of the mock village so I ran off to follow them.Lon drawing

posted by Lon
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3/21/2008

U.S. Airforce Illustration Program: 2nd Day Fort Bliss. Part 1

Day 2 March 11, 2008

I awoke at 5:30 to the hotel’s wakeup blasting phone beeping. “Holy shit I thought to myself, I’m up and it’s still dark. I turned on the TV and watched the local news to get a fix on the weather. Mids 60’s today. OK, no worry about sun beating down on me. Wrong as I would later found out. I quickly put on my fatiques, T shirt and fleece lined milittry jacket, well not really a military jacket but it look close…at least to me. I checked my e-mails to make sure I stayed in touch with my clients. Everything was good, I had some revisions of some sketches but I could do that over the weekend. So I was good to go.

I packed up my camera, laptop and carrying case and I was ready. I don’t usually draw on the spot but I realized this visit was somewhat of a show and I should be seen sketching even though it was unlikely I’d use the sketches as a basis for painting. What it would be good for was to get me familiar with the gear and the settings. Drawing them on the spot gave me an intimacy that you cannot get from photos and that gets imbedded in your head for later when you go to refined drawings and paintings. It keeps the energy of the moment alive.

I met Victor and Bob downstairs. We were too early to get our continental breakfast, but I didn’t care, I was too amped to eat. “You guys ready Bob said. Hell yes we were ready! We climbed into our rental Subaru SUV and took off. Victor the driver, Bob the guide and me the artist passenger.

The sun was rising as we hit Route 54 and all that sage brush. In the distance we could see a small mountain range. It was a refreshing and beautiful site. The day was starting off well we all agreed. Bob took some pictures of the dawn and I just stared out the window thinking about how I had convinced Ben Bensen, the co-ordinator of this program for SILA to send me on one of these trips. I thought about my father, who had been a Captain in the Airforce in WW2 and won a distinguished Flying Cross and how if he was alive today he might have really been happy that I was making this journey. So I vowed to do my best to honor him, the airforce and SILA by creating great artwork that we could all be proud of and enjoy.
Our first stop was the USAF office with Minkin and his crew. When we got there, Minkin greeted us and told us we needed body armor and a helmet to protect us from flying shells….not bullets calm down! The fact of the matter is we really didn’t need the armor but it was cool to have it. So Minkin went to his stash of stuff and gave us what looked like flak jackets loaded with metal plates. It weighed about 25 pounds. Then the helmets, Victor and Bob got desert sand like helmets that were very cool….mine looked like an old Nazi helmet you’d find in a surplus store. Green with hat quasi Darth Vader look. “Hey, this looks like Himmler’s old helmet”, I commented. To Victor, he laughed, but he wasn’t about to offer me his. And Bob’s head was smaller than mine and I didn’t want to ask Minkin so there it was, a big Jew wearing an old Nazi helmet…I decided to wear my Laker cap it was a cooler look any way.

Oh and of course it was so cold…bbbrrrrrrrrrr. 32 degrees! “It’s fuckin’ freezing!” I said to Victor and Bob. Victor laughed (he is from upstate NY and he was in a T-shirt) “Typical guy from California” he popped “This is warm!” “Warm?!” Jesus my blood is so thin, maybe it’s the Lipitor. I felt a little foolish but I still kept my warm jacket, sweat shirt and regular T on. I was still freezing. “Yeah I’ll be fine, no sweat ” I said. Bob was laughing to himself.

We piled into the Subaru and off we went to the Assault training. It was only a half mile away and we were psyched. As we ambled down the road I started to warm up and with that my enthusiasm built. This was a true “E” ticket ride and I was going to enjoy every second!

posted by Lon
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3/19/2008

Reprographic Rights Summit at the Society of Illustrators NY

In February, I was privileged to represent the Society of Illustrators of Los Angeles and San Diego Society of Illustrators at a Summit concerning Illustrators and Reprographic Rights in New York at the Society of Illustrators.

I was in the company of amazing Illustrators and activists and am extremely honored to be included in the picture below:
An incredible picture…almost too large for the camera. This is a solid coalition, not a photo op. Let the caption tell the story:

(l to r) Cynthia Turner, Society of Illustrators; Tatiana El-Khouri, SI of Los Angeles and of San Diego; Don Kilpatrick, at large; Frank Costantino, American Society of Architectural Illustrators; David Labrozze, Illustrators Club of MD, DC and VA; Terry Brown, Executive Director of ASIP; Joe Azur, Also MD, Dc and VA; John Ritter, Pittsburgh, SI; Michael Belknap, Association of Medical Illustrators; Chris Peterson, SI San Francisco; Kristin Hill and Keith Ferris, American Society of Aviation Artists; Dolores Santoliquido, Guild of Natural Science Illustrators; Brad Holland and Glenda Stocco, Illustrators Partnership of America”

Towards the end of the link below, there are more pictures of the day long meetings.
http://stage.societyillustrators.org/publications/thisweek/495.cms

—-

FROM THE AMERICAN SOCIETY OF ILLUSTRATORS PARTNERSHIP

Here’s the link to the web cast video of An Evening With Bruce Lehman:
http://www.unitedpgremote.com/society/soi_2008_02_21.html

The house was full for what turned out to be a dramatic evening event. Mr. Lehman’s presentation was eye-opening and forceful. The 12 major illustrators organizations came together in an unprecedented act of unity.

Although accountability of current artists’ reprographic royalties was not intended to be the evening’s topic, events made them so.
Watch the video and see for yourself why so many attendees have called this forum a long-overdue wake-up call.

The town hall capped a series of day-long meetings at which the 12 groups met with Mr. Lehman to discuss options and strategies. The groups voted unanimously to seek the first industry-wide mandate to represent illustrators rights.

To achieve that, the members of each group will be offered automatic joint membership in the American Society of Illustrators Partnership. Published artists who are not members of any group may join ASIP directly. We’ll notify you when and where membership forms are available for downloading.

The following 12 groups were represented:

The Society of Illustrators
The Illustrators’ Partnership of America
The Association of Medical Illustrators
The American Society of Architectural Illustrators
The Guild of Natural Science Illustrators
The San Francisco Society of Illustrators
The Los Angeles Society of Illustrators
The Pittsburg Society of Illustrators
The American Society of Aviation Artists
The San Diego Society of Illustrators
The Illustrators Club of Washington DC, Maryland and Virginia
The National Cartoonists Society
We invite other groups to join ASIP.

posted by Tatiana, 1st VP/ Show and Web Chair
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3/16/2008

U.S. Airforce Illustration Program- Day 1 Fort Bliss

March 11, 2008

The flight to El Paso was fairly uneventful. The biggest excitement was getting a diet coke and peanuts which I pocketed for later.

So I land and I walk out expecting to be met at the terminal. Maybe a military attaché or some guy holding a sign saying “Artists over here”. But no. No one is there. So I figured maybe there waiting in the baggage area. Sure enough I was right . Robert Crawford “Bob” found me as I walked around looking for my bag. I expected a chisled military guy to meet me in fatigues or something (too many Hollywood movies) but Bob was not as I expected. He was shorter, not chiseled and dressed in jeans and a workshirt almost collegiate looking. With him was Victor Juhasz, the artist from the New York society and quite a political cartoonist. In fact Victor looked more military than Bob. Short buzz cut dressed in fatigues…he fit the part. Within moments we were all fast friends and off we went to the hotel…errr…the military YMCA. Which actually was not bad. We checked in changed clothes and headed out to the base. Victor drove, he’s a take charge kind of guy and he has gone on visits before so he became our designated driver, Bob was our guide and interpreter (artists sometimes need that) and I was the artist-passenger.

As we drove out Bob told us how happy he was that we decided to come on the visit and he also assured me that I didn’t have to go on any “forced marches”. On the ride in we got to know each other a little bit and it was obvious we were going o have a great time with each other.

After a quick check in to the hotel err…”Y” we headed of for Fort Macgregor where the airforce students were training. We were hoping to get in on some action as soon as possible. On the way Bob pointed out some of the sights along the way….sage brush over here, sage brush over there,..rocks, dirt and the water tower which marked our 6 mile out of Macgregor. Victor was a liltte more intrique with the landscape than I was. Being from Jersey and upstate New York, this was new terrain for him. And he lives on a farm in the Berkshires To me it looked like the road between Redlands and Yucaipa. But we got to know each other a little better and soon we found out that Bob had quite a sense of humor. He led me to believe that I’d be getting up every morning at 4:30 and following the troops out to the training fields. In fact he didn’t cop to the truth until we met Luietenant Colonel Minkin at the base.

For forty-five minutes we exchanged backgrounds talked about our wives, kids work.
I soon learned Victor is an accomplished illustrator who does court reporting artwork, political cartooning and a very unique style of realistic line drawing. Bob is retired airforce (26 years in) and now a civilian working for the airforce art program. He’s based out of San Antonio. He’s been all over the world and was based in Germany for many years. His job in the Airforce was as a manintenance guy for jet aircraft. Bob is married with 8 grandchildren though he doesn’t look very old at all and Victor has three sons, two of which are in the Marines! My immediate assumption was Victor was a retired Marine and I thought this until he later told me he wasn’t. he pulled a high number in the Draft Lottery of ’72 and never had to serve. But and this tells you all you need to know about Victor, he told me I would go into the Marines now if they’d take me.

We finally arrived at MacGregor. And Bob waved his pass at every security and they waved us in.. Soon we were sitting with Luietenant Colonel Minkin in a little cramped office with various military females doing paperwork. Minkin is a slight guy about 5’9 and wirey. His hair is dark and short but not military looking, if you put him in a suit he might strike you as a young attorney. My guess is he’s around 35. We talked for a bit and Minkin suggested we go right out and catch some assault training. Victor and I gave each other excited looks. “Let’s get it on” I thought and so we did.

After a 5 minute ride we were out in the field in an area that was made to look like a small Iraqui village with crappy broken down buildings, debris around and a smashed up car. As we pulled off the road we saw military men swarming around with rifles in full gear moving. It was like a movie set but this was real training. We quickly grabbed our cameras and starting snapping shots from the sidelines. Unfortunately for us the exercise ended and the men gathered around their instructor for review. Still snapping away I listened to the critique of the students work. I was struck by the even-tempered, reassuring way the intructor talked with them always emphasizing savings lives is their mission not killing people. This was a theme repeated often but various instructors.
In body armor, military combat heargear with bulletproof eyewear the men looked cool even in some cases fierce up to the standrard of any stormtrooper out of Star Wars.

I saw Minkin off to the side observing and he looked very authoritiative and intense, nothing like the fellow I had just met in his office a hour before. “You’ll perform in battle as you do in these maneuvers” was a common mantra of the instructors and vets of Afganistan, Kosovo, Bosnia and Iraq. After a hour hour talk the students were dimissed. Minkin returned to his friendly almost boyish personality. We were invited to dinner….in the military cafeteria with the men. I thought it was a great idea as did Victor. I’m not so sure about Bob. I think he’d eaten all the military meals he wanted to but he went along with us just the same.

Soon we were standing in line with various levels of military guys. “Who are you guys” we heard quite often. I guess my Laker hat and not short hair gave me away. “We’re artists, we’ve been invited here by the Pentagon to document the army’s training of the airforce troops.” “Really, that’s cool.” “Hey draw a picture me one guy joked posing in a heroid pose.” The others laughed and they headed off to eat. “No really I mean it” he said. “If I see you out there I’ll make sure to do one.” I said. I soon realized that our presence was having a very positive effect on the men. They felt special like someone cared about what they were doing. I thought to myself, the least I can do is do as many sketches as I can and when there done give them away to the guys.

Now being hungry after not eating all day I loaded up my plate hamburger, grilled ham & cheese sandwiches, salad, cookies, jello, giant coke. I sat down at the table with Victor, Minkin, Bob and Master Sargeant Knipps (a lady) “You gonna eat all that,” she drawled. “Yeah” I said “Well, you’ll do just fine while you’re here, that’s a man size meal!” WE laughed. Knipps was a funny yet tough gal with a sharp angular face and a twinkle in her eye. She soon asked us about the trip and Victor laid it out fo her. She was intriqued and thankful we had come to visit them. This was a common reaction. In fact everyone welcomed us wherever we went, they were so respectful and genuinely interested in our work. Welll all except one Sargeant but I’ll get to that later.

So after an hour or so of exchanging background info and personal anecdotes we headed back to Minkin’s office to debrief and co-ordinate the next day. “Training starts at 7 tomorrow back at the training site”, Minkin told us “We’ll introduce you guys and the you can do your work. We thanked him and left. Back in the car the excitement was building. “So Minkin says 7 Bob, I stated Bob laughed. “OK, ok we’ll leave at 6:30. And that was that our first ½ day was over.

posted by Lon
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3/14/2008

ST. PATRICK’S DAY 2008 - WE’RE DOING WHAT THIS YEAR?

St Patrick’s Day by Shiho Nakaza
Want a new twist on the Drinking Holiday?

Want to meet new and old members -and possibly hear them sing?

Well, wonder no more!

Enjoy karaoke for this year’s St. Patrick’s Day party -
we have a room all to ourselves to belt the night away!

When:
Monday, March 17th
8-10pm,
feel free to stay afterwards for drinks

Where:
A Karaoke Bar in Koreatown
Call Alyce in the office for the address
(800) 799-6368

Details:
Sing along with fellow SILA members! The karaoke bar offers full food and drink service - drinks and snacks are on your own. Parking is $2 for valet.

posted by Tatiana, 1st VP/ Show and Web Chair
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2/26/2008

Marketing Your Artwork- Working Group Sat, March 1st

This is a special edition of our monthly Working Group, with a focus on marketing your artwork. If you would like to attend, please RSVP at info@si-la.org or 800-799-6368 and bring your marketing samples and/or three pieces of your artwork to the meeting.

Marketing Roundtable

Working Group meeting + guest speaker SILA board member Jaime Zollars

Most artists spend their time perfecting and adding to their portfolio, not realizing that usually more than half of the job is getting it out there for people to see. We’ll talk about traditional and not-so-traditional marketing options to get your work seen! No one can hire you if they don’t know you exist. Come to the group and start your plan for action. Bring samples (if you have them) of your own printed marketing samples (past and present) to share, good or bad. We’ll talk about what works and what doesn’t, and some mistakes people commonly make. Bring copies of three pieces of your art that best reflect you and an open mind, and marketing will hopefully start to make sense and feel like less of a chore.

Date: Saturday, March 1
Time: 2-4pm
Place: 7th and Fig Shopping Center, 735 S. Figueroa St. Los Angeles CA 90017
Meet inside the Food Court (at bottom level - through double doors) - 3 hours free parking with validation
Directions: http://www.7fig.com/directions.html

Ongoing Professional Working Group - a regularly scheduled meeting open to all members. Receive supportive critiques on your artwork and exchange advice in a relaxed, casual atmosphere!

posted by Tatiana, 1st VP/ Show and Web Chair
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2/25/2008

Fawn Fruits Ant Farm- Portfolio Prep Class

Fawns Fruit Ant Farm

Los Angeles based Illustrator, Daniel Hyun Lim, is offering private portfolio prep to students interested in applying to schools such as Art Center, Otis, Cooper Union, etc.

posted by Tatiana, 1st VP/ Show and Web Chair
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2/20/2008

SILA at WonderCon This Weekend!

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For the first time ever, Society of Illustrators of Los Angeles, in conjunction with San Francisco Society of Illustrators, will be at WonderCon this weekend, February 22-24 at Moscone Center South in San Francisco. Look for us at booth 412, between Golden and Silver Age of Comics section and the Publishers section. This is Northern California’s major comics and pop culture event that kicks off 2008, to be followed by ComicCon in July, when SILA has more events lined up!

We have an opportunity for you to participate at the booth and show your work! If you are interested and plan to be in the San Francisco Bay area this weekend or looking to attend ComicCon in July, let the SILA office know at 800-799-6368 or info@si-la.org.

posted by Shiho Nakaza
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2/19/2008

U.S. Air Force Illustration Program Participation

Air Force Illustration by Ben Bensen
For over 50 years the U.S. Airforce has had an art program that is ideally suited for illustrators. The Air Force provides trips for artists to bases, events etc. throughout the continental United States and abroad and you do an illustration/painting based on what you see, experience and feel on these trips — It’s your creation! While your original painting/illustration — is given to the Air Force, you can keep the copyright for your own use in the future. The Air Force does require that your painting be done in good taste, be professional in its execution and that it tell a positive story about the Air Force. In exchange for artwork that you have complete control over plus retaining the copyright your artwork is framed according to your specifications at Air Force expense, you are flown free by commercial jet to Bolling AFB…not Andrews (this is the first time into Bolling!). The show is Mid October, as always it is a black tie affair.

Members do not miss your opportunity to participate in the Air Force Illustration program. If you are a current professional member and interested in going on a trip, Please email the Air Force Chair, Ben Bensen and answer the questions below:

Do you have a valid passport?
Do you have a full time job or teach?
Can you mobilize in a 1-3 day notice?
Are you interested in documenting this subject matter?
Do you draw, paint, design, or doodle traditionally?
Can you afford to commit once a plan is set?
Are you in fairly good shape to get around, without special assistance?

Email your responses to Ben Bensen

posted by Tatiana, 1st VP/ Show and Web Chair
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2/12/2008

Illustration Conference | New York City Registration is Now Open


The Illustration Conference is taking place in New York City, and registration is now open.

There will be notable California-based artists participating - Enrico Casarosa is hosting a Conference version of Sketchcrawl, and James Jean is teaching a workshop on digital coloring, to name a few.

posted by Shiho Nakaza
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2/9/2008

2008 Society of Illustrators Los Angeles Program Schedule

Society of Illustrators Los Angeles (SILA) members receive free admission to all programs, with access to members-only events. If you are interested in volunteering or participating in any of the events listed or have suggestions for future events, please call SILA office at 800-799-6368 or email us at info@si-la.org. This schedule will be updated with more details as the year progresses.

2008 SOCIETY OF ILLUSTRATORS LOS ANGELES (SILA) PROGRAM SCHEDULE

Spring:

Feb. 22-24 - SILA, in conjunction with San Francisco Society of Illustrators, will have a table at WonderCon in San Francisco

March 1 - Working Group meeting + guest speaker SILA board member Jaime Zollars will discuss the topic of Marketing

March 9 - Larry Salk Memorial Fund: 3rd Annual Student Scholarship application due

March 17 - St. Patrick’s Day Party

March 29 - Opening reception for Illustration West 46 Gallery Show at Junc Gallery. The show runs until April 6

April - Illustration West 47 Student Call for Entries Begins

late April/early May - Business of Illustration presentation by Tony Luna on topic of career reinvention

Summer:

June 13 - Special Student Deadline for Illustration West 47

June 27 - Early Bird Deadline for Illustration West 47

July 2-6 - SILA will have a table at Illustration Conference in New York City

July 24-27 - SILA will be at Comic-Con International in San Diego for the first time ever! Many exciting announcement about our participation to come. Members interested in volunteering are encouraged to email the office.

August - U.S. Air Force Art Collection entries due - See http://si-la.org/airforce.html for more information on how to participate.

August - Illustration West 47 Entry Deadline

Fall:

September/October - Business of illustration presentation - Pricing Session

October - U.S. Air Force Art Collection presentation in Washington D.C. - See http://si-la.org/airforce.html for more information on how to participate.

November - SILA Illustration West 47 winners will be announced, with a gallery show scheduled in 2009

Ongoing:

Professional Working Group - a regularly scheduled meeting open to all members. Receive supportive critiques on your artwork and exchange advice in a relaxed, casual atmosphere! Please contact the office to receive the location and time.

We are also searching for exhibition spaces for member gallery shows in the future. Please call SILA office at 800-799-6368 or email us at info@si-la.org if you have any suggestions or are interested in volunteering.

Thank you for your participation!

posted by Shiho Nakaza
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2/2/2008

Book Signing with Kazu Kibuishi at Gallery Nucleus

Kazu Kibuishi is a L.A.-based creator of graphic novel anthology, Flight, and a graphic novelist in his own right. In between his busy schedule, he maintains a beautifully colored and drawn web comic, Copper - here’s a tutorial on how he creates his online comic.

He is signing his new graphic novel book, Amulet, at Gallery Nucleus this Saturday, February 2nd from 6-10pm.

posted by Shiho Nakaza
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1/30/2008

Open Call for “Drawing Los Angeles,” Center for the Arts, Eagle Rock

CENTER FOR THE ARTS, EAGLE ROCK ANNOUNCES AN OPEN CALL FOR WORK TO BE INCLUDED IN “DRAWING LOS ANGELES”,
MAY 10-JUNE 14
Artists of Los Angeles County Are Invited to Submit Work Now for The Spring 2008 Juried Exhibition

Center for the Arts, Eagle Rock invites visual artists living and working in Los Angeles County to contribute recent work in drawing for “Drawing Los Angeles,” a juried exhibition examining the trends, themes, and terrain of drawing in the city today.

Submissions are open to all media, as long as drawing is a significant and visible aspect of the work. Professional and emerging artists are encouraged to participate are encouraged to participate, and there is no fee for entry. Up to two pieces of artwork may be submitted for consideration. Interested artists should submit work no later than 5p.m. on Friday, March 28, 2008.

The exhibition of work selected by the jury will take place May 10-June 14 at Center for the Arts, Eagle Rock, a unique exhibition venue located in a historic 1913 Spanish Colonial Revival building and in the heart of a strong arts-based community. Jurors include Jay Belloli, Noel Korten, Peter Carrillo, Mika Cho, Julie Deamer, Julie Mc Manus, and Sonja Sung.

For more information, and to download the prospectus, please visit www.centerartseaglerock.org or call 323-226-1617.

Center for the Arts, Eagle Rock is a non-profit 501(c) 3 organization whose mission is to provide multicultural, innovative, and local arts programming to the communities of Northeast Los Angeles. Programs include the ground-breaking Eagle Rock Music Festival, exhibitions, community festivals, free and low-cost after school arts classes, a Summer Art Camp, and more. For more information on the Center for the Arts, and its creative community programs, call 323-226-1617.

posted by Tatiana, 1st VP/ Show and Web Chair
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1/28/2008

Tokidoki: Creative Inspiration on Lynda.com

Lynda.comSimone Legno, the L.A.-based illustrator behind Tokidoki brand (who also participated in Perversive Persuation presentation at MOCA), has a new training video on Lynda.com. You can watch him sketch and talk about how he develops his character in “Simone’s Sketchbook: Cactus Rocker”, and you can see the how-to videos on vectorizing his illustrations with Adobe Illustrator if you have Lynda.com subscription.

posted by Shiho Nakaza
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